Commissioned by the Museum of Contemporary Art, Los Angeles on the occasion of their 2016 Gala event, 'Ed Ruscha: Buildings and Words' traces two recurring themes in the artist's 60-year oeuvre.

An American doctor encounters members of a voodoo cult when she is summoned to Jamaica to treat a wealthy man's brother.

When the beautiful Leonor arrives at the architecture studio Borla y Asociados looking for Nelson Jara, both Mario Borla and his partner Marta Hovart and Pablo Simó, the building's oldest architect, claim to ignore that name completely. But they all lie. The truth begins to unravel through the memories of Pablo Simó. Pablo should carry out the unpleasant job of dealing with Nelson Jara, an indignant owner of the building adjoining a work of the studio, damaged by a crack in the wall of his living room caused by an error in the construction. But the fear and nervousness that provokes in the three involved the arrival of Leonor and her question "what happened to Nelson Jara?" Show something much darker and more suspicious. (FILMAFFINITY)

A group of college friends reunite for a trip to the forest, but encounter a menacing presence in the woods that's stalking them.

Jennifer's search for her brother leads her to something not of this world.

When given the chance to reunite with her deceased father, college sophomore Maria joins a paranormal academic group led by Louis. However, their scientific venture unearths an ancient ritual in which the group is doomed to take part.

To the atmospheric track by Jon Hopkins, high-wire artist Bryony Louise Fowler combines strength, elegance and vulnerability in her performance on the rope, which is staged by Bruce Bullivant in hypnotic images.

A murder is shown in three different points of view in La Plata.

Unable to process the death of his daughter, Detective Boyd embarks on a hunt for a serial killer who murders according to a brutal tribal ritual: Muti. The only person who can help Boyd is Professor Mackles, an anthropologist who hides an unspeakable secret. The line between sanity and madness thins as Boyd goes deeper into the killer’s world.

A Japanese woman visits Gongju to find a Korean man she had a crush on but doesn’t remember what he looks like exactly. A Korean man encounters a Japanese woman who looks just like an old Japanese movie star he has been obsessed with. They meet between accident and fate.